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The low tech, intuitive nature of pinhole camera photography opens up many creative possibilities. The cameras are often homemade, and when standardized photographic materials such as film are used, they are often used in non-standardized ways. The exposures are often quite long, even in full sunlight, so the passage of time itself seems to be a participant in the image making shadows move, leaves flutter and the landscape changes. With pinhole photography, it's not so much a matter of "taking a picture," it's more like collecting photons and then seeing what the collection looks like. When using a homemade camera that has no lens, lightmeter, automatic shutter, etc. the photographer can really get inside the process of the image creation itself, and develop an almost tactile sense of what is going on inside the camera while the image is being made. I use several cameras for black and white photography, each has its own characteristics. One camera has three pinholes that project an overlapping image on to the film (photo paper actually) which is wrapped around a cylindrical film holder. Another three cameras are made of high fired stoneware. One was made from a metal can. There is a separate page that has details about my cameras, and how they are put together. I also have a step by step section that shows how to make a ceramic camera Pinhole camera images have an unusual, dream-like quality, but the images themselves weren't dreamt up in the sense of being layered with a image editing program these photographs are simply what the camera recorded, and are in that sense a vision of reality that is as valid as any other. I've also done a bit of colour pinhole photography with a pinhole modified Nikon F2 camera, and some colour images are included. |